Waking up the Whole Brain

Recently I had an unusual experience and made an interesting discovery with one of my students. I would like to share the process with you.

If you recall my post about the 5 practice questions (click here to read it), I have worked hard with one particular student to help him become more engaged in his learning and practice sessions as well as improve the quality of his preparation for his lessons. I say that I have worked hard, because after spending a very long time with this student, I have not been able to measure progress. It is as if there is some sort of disconnect in this student's ability to evaluate his own performance and execution. He does not seem to hear himself when he plays and seems unable to determine how to fix things.

For a long time, I thought it was just a matter of not having the necessary information to practice correctly. And so, I gave him that information. We discussed practice tips and strategies. We practiced these types of skills at his lessons. He would finish each lesson with some forward motion and progress, and then at his next lesson, we would begin anew the same cycle of problems.

I thought too that it might be a matter of not practicing enough, and so I addressed this issue with how my student planned his practice sessions and how much time he spent in those sessions to accomplish the assigned tasks. I did see a small amount of improvement. Many of his classmates came alongside him to offer help, collegial support, and ideas. Again, some progress, but not the progress I was looking for.

So, despite all my usual tricks, nothing really seemed to be making the connection with this particular student. Until last week when something magical happened. Before I tell you what it is, however, I need to pause a moment and tell you another brief story.

My husband has been ill for a long time now. It all stemmed from the accident that I had in May 2014, when I crushed my right shoulder. Although I was determined to heal completely and did so quickly, my sweet husband suffered in a different way, as men often do. They call it PTSD or Post Traumatic Stress Disorder. Although I was the person who had the traumatic event, my husband went into a protective mode in his mind, which then grew to affect other areas of his life.

We have been grappling with all of the problems that come with PTSD, but my husband works with a terrific gentleman who has pioneered several techniques to address the PTSD problems. One of those techniques caught my attention. The subject (my husband) would hold a vibrating disc object in each hand, which the therapist controlled with gentle, alternating vibration to each hand, while my husband would discuss upsetting memories. The purpose of the alternating vibration in each hand was to "wake up" each brain hemisphere and keep the whole brain working during the entire memory process.

Fascinating, yes? I listened to my husband's story about this technique, and I recalled that the brain hemispheres were activated by the opposite hand; e.g., the left brain hemisphere with the right hand, and vice versa. Please understand that this a general discussion, and not a technical one. I do not profess to be an expert in these matters, but as a teacher I have been aware of these ideas and have experimented with different teaching techniques over the years. Now back to my student.

When I encounter a student who has difficulty engaging or connecting with his or her learning, I have often suggested that they speak aloud or pick up a pencil and write something in the music. These suggestions are designed to "wake up" the evaluating left brain hemisphere, because speech, logic, and reasoning are the province of the left brain. So during this student's lesson, I began again to offer my usual suggestions to help him wake up and start evaluating his own playing.

"What do you think you should do here? What do you think the problem is?" I asked. Notice that I used open-ended questions designed to engage him in conversation and thinking. Using "what" or "how" questions work wonders in doing this.

After fumbling an answer and not being able to pinpoint what or where the problem was, I helped him here. Then I tried another technique and suggested that my student write down a particular notation in his music, hoping that the act of writing would wake up his left brain more.

And my student obligingly picked up a pencil and wrote in his music with his left hand! That is when it hit me that he was left-handed and that he was really a right-brained student. Everything about him was about impulse, spontaneity, naivety, feeling, emotion, intuition, fun; he had little concept of time constraints and really lived in the moment. Oh boy, I thought, he is a classic right brain thinker. What I did not think about before that moment was that he was almost completely reliant on his right brain.

After witnessing the pencil use with his left hand, which I knew would continue to activate the right brain, I decided to try something related to the story my husband had told of his therapist's technique. My iPhone has a fun app called AppZilla, which has a bunch of little apps within it. One of the apps is a massager. I turned on the massager vibration and put it in my student's right hand. At first, he actually felt his heart rate increase due to fear. He held it for about 30 seconds. Then I asked him to play the part of his music that he had been struggling with. He sailed through it. I began to think that we were onto something here.

A few days later, he performed for the studio seminar class. His was a simple assignment: play the scale routine as assigned to all of my students, which has been an assignment that my student has struggled with since his first lesson with me. My class watched him struggle once again to be able to play the scale, and I watched until the point when I knew that my student had reached "the bottom" and was unable to continue. I walked over to him and handed him my iPhone set to the massager vibration. The class was unaware of what we were doing or why I was handing him my phone. They could not hear anything, and my student and I did not say anything.

After about 20 seconds, I took the phone and walked away. My student then played the scale just fine. The class was shocked. "What magic was that?" Someone asked. "What did you do?" they wanted to know. My student and I then explained what we were experimenting with.

Followup, my student's next lesson was very different. He sailed through his etude at a very fast tempo, without the constant stumbling and corrections (if any) that I was accustomed to hearing. I asked him about his practice sessions outside of the lesson, and he said that he was using the vibration technique to help him.

Isn't that an amazing story? Especially if we have come across another successful teaching tool?

On a final note, when my husband was working with the therapist on this technique, the therapist stated that he did not think it would take my husband long to get to this whole brain state since he was a musician, and musicians generally use all of their brain. However, this student was not using all of his brain and apparently was not accustomed to using his left brain much at all, judging from his reports of the types of difficulties he has with some school subjects. We are also using my Peterson Body Beat pulsating metronome to gain the same vibration effect as the AppZilla massager.

I am pretty excited about this new idea and look forward to other ways that I might be able to use it. I have met several dyslexic students in the past few years, and I am always looking out for additional ways to help students learn.

Does anyone else have any similar experience like this? I hope that this idea may help someone else in their teaching or practicing journey.

Monday Morning Check In: Connections and Community

Written by Paula E. Bird, copyright 2014

When I think about goal setting, I typically think in more traditional terms: linear progression and areas of responsibility. For example, linear progression refers to steps 1-10, and areas of responsibility refers to physical, mental, spiritual, or business, personal, and family. Lately though I have been involved in some planning of projects that I expect to spend a long period of time developing. I find that my traditional thinking is not serving me well in this process, and I have been considering new perspectives.

I came across an interesting article written about one couple's work to become completely self-sustaining and self-sufficient on their property. Aside from the details that result from that sort of project, what caught my attention was the authors' choice of words to describe how they measured progress on their goals. The authors preferred to employ the term "sphere" to describe any of several areas of projects or concerns that the authors deemed important enough to develop. In this particular example of homesteading, the authors outlined six spheres that would demand their attention over a span of many years in order to ultimately reach the authors' goal of complete self-sustainability on their homestead, which meant that the authors would no longer need to supply their needs with outside sources.

The term "sphere" caught my attention, because of the nature of the word's description. Somehow this term changed my perspective in a different way than I experience when I think in traditional, straight-line thinking. Because spheres are round and three-dimensional, my thinking has to alter in order to fit this new picture that I have in my head. Yes, sphere also refers to influence or activity, but it is the roundness of the object that I picture in my head that has changed due to this new word use.

Now that my perspective and my way of thinking has altered, I have been considering  my own life in terms of spheres. What are the spherical areas that my life might contain? As I develop this picture, various ideas come to mind, and I want to mention two that came to mind yesterday: Connections and Community.

I have long known that I have a tendency to isolate myself. I am perfectly happy spending large amounts of time alone (or at least in the company of a nonhuman), and I have to monitor this tendency and guard against allowing too much time to pass before human interaction. Yesterday I realized that this tendency may be harmful if I give in to it at all. Instead, I feel a need to not only combat the inertia of aloneness but to develop a plan to eliminate it, if at all possible.

Yesterday I was able to join in a group meeting of our local Suzuki organization, the first meeting that I have been able to attend since the group formed over a year ago. I became better acquainted with several wonderful teachers with whom I have not developed a relationship before, and I renewed my friendship with several teachers whom I have not seen or talked to in quite some time except through electronic means. Most importantly, I met with several teachers for the first time. Rather than be quick to move back into my comfort zone of isolation though, I embraced the experience and found many things to enjoy about my new activity and the new connections that I made.

I found it entertaining to listen to others talk and express their ideas. At times, something someone said would spark an idea in my own mind. Other times I would think about how I could help the group with my own knowledge. Most of the time though, I was content to listen to what others were interested in and how they expressed their concerns and ideas. I learned much about the teachers personally, and I came to understand the group dynamic better than I would have through electronic communication alone.

I realized during the meeting that although my isolationist tendencies are pleasant and serve to recharge my energy and enthusiasm, for the most part my aloneness may not be adding anything more useful to my life. I need more connection and communication.  I need to spend time with others outside of my work sphere, even if the time spent is in a work-related meeting. This is valuable time for me to spend broadening my thinking. I also need to develop a stronger community within my studio. We need more of a studio "identity" if you will, which will come about through our connections within our own local community and the larger Suzuki community. Although my studio is located in a rural area, we need to join forces together with other students and teachers and studios outside of our area so that we can share and broaden our larger Suzuki community vision.

The homesteading article talked about community as a sphere, and I believe this is an important area of concern for teachers. We need to stay connected with each other, for encouragement, motivation, and creativity. We need to develop relationships beyond ourselves and our studio in order to bind ourselves more closely to the larger purpose behind what we do: ability development and talent education. This sphere of community is not limited to direct connections between teachers, but opens up the connections to include any relationships: teacher and parent, teacher and student, parent and student, parent and parent, teacher and teacher. Further, our educational purpose can spread to include others outside our direct sphere of interest, such as extended family, school administrators, and community and business leaders. These types of connections will strengthen the likelihood that our global message that "Any child can" will mean more than merely one teacher's attempts to teach a few students. The type and number of connections are limited by our ability to imagine possibilities.

Take a few moments this week to consider your sphere of community and connection. What relationships can you broaden? How can you strengthen your bonds of connection within your studio and your community?

Let us change our world -- one child, one student at a time.

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I am pleased to announce that Sue Hunt (musicinpractice.com) has a new app in the iTune store! If you recall, I interviewed Sue about her review program ideas two years ago (article). The app is free (a paid version with premium features is in the development stage). Please check out Sue's contribution to our Suzuki community: iTunes link).